Linda Bouchard, artistic director

NEXMAP introduces Michel Doneda to the Bay Area

Binary Cities #6

Michel Doneda saxophone (France)

Fred Frith
guitar (England / Bay Area)

Thursday, February 12th, 2009 8PM

Location: swissnex San Francisco

730 Montgomery St., San Francisco at Jackson St.

a co-production with CNMAT

Michel Doneda saxophone (France)

David Wessel
electronics (USA)

Saturday, February 14th, 2009 8PM

Location:
CNMAT
1750 Arch Street, Berkeley CA, 94720

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Archival Excerpts (Video)

View video from these shows

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Michel Doneda / Fred Frith
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Michel Doneda / David Wessel



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NEXMAP introduced French saxophonist Michel Doneda to the Bay Area in two nights of groundbreaking improvisation.

 “Over the years, Michel Doneda has developed one of the most extensive musical vocabularies in free improvisation. A specialist of the soprano saxophone, he has gradually moved from left-field jazz to the fringes of free improv. His playing can be at turns lyrical, playful or raucous, and switch from the liveliness of street melodies to circular breathing, microscopic sounds or shrieking outbursts.” -www.allmusic.com

"A musical consciousness of rare intelligence backed up with an omnipresent sense of humour, Frith makes music that must count amongst the most powerful and original of the present time." -Libération

"Wessel the wizard" -Steve Lacy, SF Chronicle

Click here for hi-res downloadable photos

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This Binary Cities Event #6 was made possible in part through support from the Cultural Services of the French Consulate in San Francisco, the Western Arts Federation and the National Endowment for the Arts.

  french consulate
WESTAF        NEA

Michel Doneda (France)

Michel Doneda (b. 1954), soprano saxophone is a self-taught musician who comes from the French South-West. In 1980 he founded in Toulouse a reed trio: HIC ET NUNC, a group that toured throughout France, playing mostly improvised music. With a group of musicians, dancers and actors, Doneda co-founded IREA (Institute for research and exchange between arts of improvisation). He subsequently participated in music projects with other artists and became a regular guest of the Chantenay-Villedieu festival and played with musicians such as Fred Van Hove, Phil Wachsmann, Max Eastley, Steve Beresford, John Zorn, Eliott Sharp, Elvin Jones, Lê Quan Ninh, Daunik Lazro, Beñat Achiary, Martine Altenburger, Barre Phillips, Paul Rogers, Tetsu Saitoh, Kazue Sawai. In 1985 he self-published TERRA (Nato record).

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           photo by Pascale Para
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Fred Frith (England / Bay Area)

Fred Frith, composer, improviser and multi-instrumentalist, has situated himself for more than thirty years in the area where rock music and new music meet. Co-founder of the British underground band Henry Cow (1968-78), he moved to New York in the late seventies and came into contact with many of the musicians with whom he's since been associated, including, for example, John Zorn, Ikue Mori, Tom Cora, Zeena Parkins, and Bob Ostertag. Fourteen years in New York gave rise to groups like Massacre (with Bill Laswell and Fred Maher), Skeleton Crew (with Tom and Zeena), and Keep the Dog, a sextet performing an extensive repertoire of Fred's compositions. In the eighties Fred began to write for dance, film, and theatre, and this in turn has led to his composing for Rova Sax Quartet, Ensemble Modern, Arditti Quartet, Asko Ensemble, and many other groups, including his own critically acclaimed Guitar Quartet. Best known world-wide as an improvising guitarist, Fred has also performed in a variety of other contexts, playing bass in John Zorn's Naked City, violin in Lars Hollmer's Looping Home Orchestra, and guitar on recordings ranging from The Residents and René Lussier to Brian Eno and Amy Denio. Fred is the subject of Nicolas Humbert and Werner Penzels' award-winning documentary film Step Across the Border. He is currently Professor of Composition at Mills College in Oakland, California.

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David Wessel (USA)
David Wessel studied mathematics and experimental psychology at the University of Illinois and received a doctorate in mathematical psychology from Stanford in 1972. His work on the perception and compositional control of timbre in the early 70's at Michigan State University led to a musical research position at IRCAM in Paris in 1976. In 1979 he began reshaping the Pedagogy Department to link the scientific and musical sectors of IRCAM. In 1985 he established a new IRCAM department devoted to the development of interactive musical software for personal computers. In 1988 he began his current position as Professor of Music at the University of California, Berkeley where he is Director of CNMAT. He is particularly interested in live-performance computer music where improvisation plays an essential role. He has collaborated in performance with a variety of improvising composers including Roscoe Mitchell, Steve Coleman, Steve Lacy, George Lewis, John Butcher, Ushio Torikai, Thomas Buckner, Vinko Globokar, Jin Hi Kim, Shafqat Ali Khan, and Laetitia Sonami, and has performed throughout the US and Europe.

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