Linda Bouchard, artistic director

ABLETON LIVE WORKSHOP
Taught by Aram Shelton

6PM - 9PM, October 20th and 22nd
Total Cost: $100
Maximum participants: 20



Location:
The LAB
2948 16th Street @ Capp
San Francisco’s Mission District





albeton live

A two-day beginning and intermediate level workshop that explores the flexibility and versatility of Ableton Live. This workshop will include examples of techniques unique to Ableton and will be custom designed to address the interests and on-going projects of participants, illustrating a variety of music making methods to suit various scenarios and purposes.

Techniques explored:

Ableton Live Workshop will build on participant's knowledge of Ableton Live with demonstrations and hands-on exercises. Participating artists will be invited to explore new ways of engaging their creative process. A take-home project will be assigned after the first session to further develop explored techniques.

Participants are invited to email the instructor, Aram Shelton, beforehand with any particular questions and/or topics to be covered. Contact Aram at workshops@nexmap.org

Suggested Materials: Laptop with Ableton Live and Headphones / MIDI Controller / Pencil and Paper


Aram Shelton

Aram Shelton is a multi-instrumentalist on saxophones and clarinets, a composer & improviser, and creates electroacoustic music through computer-based electronics. While the music he makes is spread across a variety of aesthetic lines, it is related by the importance of improvisation to develop material and express musical individuality. He currently lives in Oakland, California.
Shelton has performed with a wide variety of talented musicians, including Tim Daisy, Ken Vandermark, Jason Ajemian, Josh Berman, Audrey Chen, Fred Lonberg-holm, Dave Rempis, Damon Smith, Steve Bernstein, Weasel Walter, Jason Roebke, Liz Albee, Rob Mazurek, Matt Bauder, Jessica Pavone, Havard Wiik, Josh Abrams, Harris Eisenstadt, Jeb Bishop, Tim Perkis, Kevin Drumm, Kjell Nordeson, Frank Rosaly, Guillermo Gregorio, and Chris Brown. He has performed throughout the United States, Canada and Europe including appearances at the Chicago Jazz Festival, the Suoni per il Popolo Festival in Montreal, and the Krakow Autumn Jazz Festival. His playing and music has been documented through various imprints including 482 Music, Locust Music, MultiKulti, Edgetone, Delmark, and his own Singlespeed Music.

Beginning on tenor saxophone while growing up on a small ranch in southeast Florida, Shelton switched to alto saxophone in college, as a way to focus on the classical techniques of the instrument. After college, Shelton lived in Washington DC for a summer where he met other young musicians interested in making music unrestricted by style. He moved to Chicago in the spring of 1999, inspired by the amount of musical activity and quickly became involved in the city’s creative music scene. While there, Shelton developed his playing style on alto saxophone while also studying clarinet and trumpet. He played creative jazz and improvised music in many settings, including the groups Dragons 1976, Arrive, and Rapid Croche. Over time he also became interested in the use of computer-based electronics for the live sampling and manipulation of acoustic instruments, and formed the group Grey Ghost with Johnathan Crawford.

After several productive years in Chicago, Shelton moved out west to study electroacoustic music at Mills College in Oakland, California. Shelton continues to focus on live improvisational-based music that uses both acoustic and electronic instruments. In California the groups Flockterkit, Ton Trio, Son of Gunnar Ton of Shel, the Shelton/Healy duo, the Pink Canoes, and Settled represent his music. He maintains his connections to Chicago through the groups Dragons 1976 (Multikulti), Arrive, Rolldown (482 Music), and Keefe Jackson’s Fast Citizens (Delmark).

www.aramshelton.com



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